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 |  | ZFX-3 for A2 Series
 
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 |  | ZFX-2 for 504
 
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                        |             |  |        | ● | 96kHz  sampling brings out the true nature of acoustic guitar sound |  |  
 | The rich, detailed  tone of an acoustic guitar is created by a delicate triple harmony of  strings, neck, and body. But a piezo or magnetic pickup never captures  the full body resonance, often resulting in thin sound dominated by the  strings. This tendency can't be fully compensated with a conventional  preamp equalizer. The A2 series incorporates 24-bit / 96 kHz sampling and sophisticated  sound modeling technology to process the line signal from the pickup,  adding a lush body tone and the spatial ambience that is created by mic  recording. Even when playing through an amplifier or PA speaker, the  resonance of the guitar body is restored, allowing the natural acoustic  sound to shine through.
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               |             |  |        | ● | The  new ZOOM ZFX-3 32-bit DSP chip |  |  
 | The heart of any  multi-effect device is its processor and decoder section. ZOOM has  attained a new level with the ZFX-3 chip. 32-bit architecture ensures  outstanding performance and allows smooth and detailed signal  processing. Fine nuances of fingering and touch come through without any  deterioration, thanks to this incredibly powerful DSP. 
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                |                  |  |        | ● | Select  optimum characteristics to match pickup and amp model |         |  
 | The GLOBAL module  that controls settings for the entire unit combines a pair of parameters  called AMP SELECT and PICKUP SELECT. These let you optimize frequency  response for the type of pickup and amp that you are using. Whether  recording or live on stage, you can always get just the right acoustic  sound. |  |         | AMP SELECT  :Choose from three settings (combo, bright combo, stack) and  eliminate the excessive treble that can ruin the sound when playing an  acoustic guitar through an amp. 
 PICK UP SELECT  :Besides piezo and magnetic for acoustic guitars, electric  guitar pickup settings such as single-coil and humbucker settings are  available, allowing you to use the unit as an acoustic guitar simulator.
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                |             |  |        | ● | Six-band  linear equalizer or two-band parametric equalizer provide ambience  control |  |  
 | Center frequency  allocation and filter slopes of the built-in six-band EQ are optimized  for acoustic guitar. Peaking type filters in the crucial middle range  (320Hz, 500Hz, 1.2kHz, 6.3kHz) are augmented by shelving-type filters at  the low and high end (60Hz and 12kHz). Further flexibility is offered  by the possibility to switch to a two-band parametric EQ, for delivering  a pin-point boost or cut. The A2 series lets you really take control. 
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              |                  |  |        | ● | Feedback  control feature |         |  
 | When playing an  acoustic guitar on stage, acoustic feedback (howling) is often a  problem--but now there is a remedy. The feedback control feature allows  automatic or manual detection of the constantly changing feedback point,  and an effective notch filter is then brought into action to provide  the required attenuation. Auto detection can be triggered with the foot  switch to allow swift reaction during a performance. |  | 
              |                  |  |        | ● | 47  high-quality effects implemented with 32-bit processing |         |  
 | Eight modules  dedicated to aspects such as dynamics, filtering, modulation, and  ambience offer a total of 47 effects. A limiter/compressor lets you  control peaks and ensure that levels are matched. The air effect  simulates the ambience in a room, the detune effect adds pitch-shifted  harmony components for that fleeting 12-string guitar sound. Or  emphasize a specific frequency range with the resonator. All of these  effects are optimized for acoustic guitar and can be put to use right  away. Other features include multi-tap delay and long delay with  settings up to 5000ms, reverse delay, flanger, phaser, and various other  studio-class effects. |  |         | Add body and  depth with 3 types of chorus Add just the right amount of body and depth to the sound when you need  it. The choice is yours: warm and mild mono chorus, clear and  transparent stereo chorus, expansive and three-dimensional chorus  ensemble, and more.
 
 Enhance your acoustic sound with 9  types of reverb
 The A2 has nine types of reverb designed specifically for acoustic  guitar including Hall, Room, Arena, Tiled Room. Many guitarists will  also be familiar with Spring Reverb. The A2 also features a reverb  setting called "Early Reflections" and a Slap Reverb that is a first for  this class. Each reverb setting is fully adjustable so the user can  make each phrase more distinct.
 
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                            |             |  |        | ● | 12 acoustic guitar/preamp sound character simulations |  |  
 | A simulation  module lets you choose among a number of very famous and popular  acoustic guitar tones. The different sonic characteristics that depend  on body size and shape as well as on the materials used are faithfully  reproduced. What's more, a mic module simulates the sound of guitar as  recorded through a microphone, with selectable positioning and mic type  (dynamic / condenser). |        |  |  |  |   |  
 |  | MARTIN  D-28 | GIBSON  SJ-200 |  | Martin, the  leading manufacturer of acoustic guitars, introduced this model in 1931.  With its Dreadnought body, it has become the "gold standard" of  acoustic guitars. The sound is well balanced and rich, great for chord  play. 
 | This is the  top-ranked model from Gibson, known as the "king of flat-tops". Its  extra large body produces sound on a grand scale with a rich low-end. 
 |  | MARTIN OOO-18 
 | GIBSON J-45 |  | Slightly smaller  than a Dreadnought, this is the definitive  Auditorium body guitar. The  detailed, bright sound is typically Martin, which is why the guitar is  often used for recording. 
 | A  Dreadnought model with a smooth round shoulder design. Much loved by  blues and rock guitarists for its warm tone and unique attack dynamics. 
 |  | TACOMA C3C 
 | OVATION  ADAMAS |  | Concentrating on  the top plate sound, the soundhole of the C3C is located in the  low-vibration shoulder area. A characteristic midrange tone is the  hallmark of this guitar. | This celebrated electroacoustic guitar is famous for its unique and  original design with a molded round back body and epaulette type  soundhole consisting of many tiny holes. 
 |  | NYLON (ZOOM original) 
 | SELMER  MACCAFERRI |  | Simulates the soft and delicate sound of a nylon-string guitar. Great  for classical music, Jazz, Bossa Nova, Flamenco and other finger-picking  styles. 
 | Simulation  of the Selmer-Maccaferri guitar used by Gypsy Jazz great Django  Reinhardt in France from 1930 into the fifties. The Maccaferri model is  characterized by its distinctive mid/high-range sound. |  | DOBRO MODEL 27 
 | NATIONAL  RESO-PHONIC STYLE O 
 |  | This is a  resonator guitar from Dobro with wooden body and metal resonator.  Suitable for country blues and slide/bottleneck playing styles. | This is a resonator  guitar from National with brass body and metal resonator. It produces a  more metallic sound than a Dobro. |  | RESOPHONIC (ZOOM original) 
 | TUBE PREAMP (ZOOM original) |  | ZOOM original  resonator guitar sound with treble emphasis producing a dry, resonant  tone. 
 | Simulation  modeled on an acoustic guitar preamp. Mixing balance between  solid-state circuitry and tube circuitry can be adjusted. |  |  |        |    | *Manufacturer names and  product names mentioned in this table are trademarks or registered  trademarks of their respective owners. The names are used only to  illustrate sonic characteristics and do not indicate any affiliation  with the Zoom Corporation. 
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        |                  |  |        | ● | Analog  style editing knobs make it a snap to create your very own sound |         |  
 | The three rotary  knobs let you tailor three different parameters at the same time. This  could be sensitivity, attack, and level for the compressor effect, or  delay time, feedback, and mixing level for the delay effect. It's like  having an array of stomp boxes ready for action. In play mode, the three  knobs adjust the modulation effect mix level, delay/reverb mix level,  and the patch level. This lets you quickly match the unit's performance  to the band or the room acoustics. |  | 
                |                  |  |        | ● | 40  ready to use preset patches for stage and studio |         |  
 | The unit comes preprogrammed with  recommended settings for various acoustic guitar models, settings that  are modeled on the signature sound of famous guitarists, rich ambience  settings using chorus and reverb, and more. Plus, a user area capable of  storing another 40 patches gives you plenty of creative leeway. |  | 
                |                  |  |        | ● | World's  fastest patch change speed: 8ms |         |  
 | The annoying interval heard when  switching patches on standard effects pedals has been virtually  eliminated. With its record-setting speed of 0.008 seconds, the A2  series never misses a beat. For example, when changing to a lead solo  during a song, you no longer need to press the switch slightly in  advance. Simply push the foot switch and start playing the solo phrase. |  | 
                |                  |  |        | ● | Built-in  auto-chromatic tuner for guitar |         |  
 | The guitar tuner can be called up  instantly by pushing two foot switches together. High-brightness LED  indicators make the note readout easy to see also on a dark stage. The  calibration range is 435 to 445Hz, and mute tuning without sound output  is also possible. Tuning has never been easier or more convenient. |  | 
                |                  |  |        | ● | ZNR  keeps playing pauses quiet |         |  
 | The built-in ZOOM  Noise Reduction (ZNR) provides optimized performance for guitar. While  minimizing any alteration of the original sound, ZNR shuts out unwanted  noise in the playing pauses. Even the tails of long sustain notes come  out beautifully, with natural release. |  | 
                |                  |  |        | ● | Integrated  drum machine with PCM sound sources |         |  
 | Realistic drum  sounds derived from PCM sources are arranged in a variety of rhythm  patterns for different musical genres. The 40 rhythm variations include  the steady 8-beat of Rock and Pop, funky 16-beat, a "Jazzy" 4-beat, and  many more choices. 
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                     |             |  |        | ● | Optional  foot switch allows versatile remote operation |  |  
 | When the optional foot switch  (FS01) is connected, tap tempo input of settings such as delay time and  modulation rate is possible. Other selectable functions include bank  switching, drum machine start/stop, and delay hold on/off switching. |      | |   | Foot Switch FS01 Unlatch and normally close type.
 
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                  |                  |  |        | ● | Ultra  low noise design with 100 dB S/N ratio |         |  
 | With an amazing rated  signal-to-noise ratio of 100dB, background noise ceases to be a problem,  leaving only superbly clean, transparent sound. |  | 
              |                  |  |        | ● | Sturdy  metal chassis and rubber damping for superior toughness and durability |         |  
 | The combination of a solid metal  chassis with shock-absorbent rubber damping ensures that the unit can  stand up to the rigors of use on stage. Take it on the road or into the  studio, the A2 series will not let you down. |  | 
          |             |  |        | ● | Two-way  power allows use just about anywhere |  |  
 | Thanks to its circuit design  optimized for low voltage operation, the unit will run for more than 7.5  hours on a set of four IEC R6 (size AA) batteries. A separately  available AC adapter (AD-0006) can be plugged in for extended studio  work, but on stage you never need to worry about AC power. |      | |   | AD-0006 AC Adaptor
 
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          |             |  |        | ● | Expression  pedal adds further versatility to your guitar play |  |  
 | The optional  expression pedal (FP02) is a great way to control effect parameters in  real time. Besides adjusting the volume or the tone of a simulation  effect, the pedal can be used for manual detection of feedback  frequency, controlling the modulation rate, or adjusting the  delay/reverb mix level. |      | |   | Expression Pedal FP02 To control effect parameters.
 
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                  |   |   | EFFECT LIST |  | MODEL  Module | 01  MARTIN DREADNOUGHT 02 GIBSON SUPER JUMBO
 03 MARTIN AUDITORIUM
 04 GIBSON ROUND SHOULDER
 05 TACOMA
 06 OVATION
 07 NYLON
 08 MACCAFERRI
 09 DOBRO
 10 NATIONAL
 11 RESOPHONIC
 12 TUBE PREAMP
 
 |  | MIC Module | 13 MIC 
 |  | COMP / LIMIT  Module | 14  COMPRESSOR 15 LIMITER
 
 |  | LOW EQ Module | 16 LOW EQ 17 LOW PARAMETRIC EQ
 
 |  | HIGH EQ  Module | 18 HIGH EQ 19 HIGH PARAMETRIC EQ
 
 
 |  | ZNR Module | 20 ZNR 
 
 |  | MOD / SFX  Module |       21 CHORUS22 STEREO CHORUS
 23 CHORUS ENSEMBLE
 24 AIR
 25 FLANGER
 26 RESONATOR
 27 DELAY
 28 TAPE ECHO
 29 REVERSE DELAY
 30 DETUNE
 31 PHASER
 32 AUTO WAH
 33 TREMOLO
 34 STEP
 
 
 |  | DELAY /  REVERB Module | 35 HALL 36 ROOM
 37 SPRING
 38 ARENA
 39 TILED ROOM
 40 MODERN SPRING
 41 BRIGHT SLAP REVERB
 42 DARK SLAP REVERB
 43 EARLY REFLECTION
 44 MULTI TAP DELAY
 45 DELAY
 46 ECHO
 47 PING PONG DELAY
 
 
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               |                                     | A2 SPECIFICATIONS | 
 |                     |  |       | ● Effect Types:47  ●  Effect Modules:8  ● Maximum Simultaneous Effects:8  ● Patch Memory:User  40+Preset 40, Total 80  ● Sampling Frequency:96kHz  ● A/D  Conversion:24bit, 64times over-sampling  ● D/A Conversion:24bit,  128times over-sampling  ● Input:1/4" phone jack(Rated input  level:-20dBm, Input impedance:1MΩ)  ● Output(Line/headphones  combined):1/4" stereo phone jack(Maximum output level:+5dBm, Output load  impedance:10kΩ or higher)  ● Control Input:Expression pedal, Foot  switch   ● Display:2digit 7segment LED display, Parameter LED  ● Power  Requirements:AA size(LR6)battery x 4, or AC adaptor DC9V/300mA/Center  minus type(AD-0006 recommended)  ●  Battery Life:7.5hours(with alkaline  batteries)  ● Dimensions:156(W) x 162(D) x 65(H)mm  ●  Weight:700g(without batteries)  ● Optional Accessories:FP02(Expression  pedal), FS01(Foot switch)
 |       | * 0dBm=0.775Vrms |  |